Creation is asymmetrical, for in fact anything may be created in thought, but not everything (almost nothing) may be erased.
These chapters are truly a cathedral since the intercausal and phraseological proportions of the prose have a syntactical skeleton. That is a blueprint - a monge projection onto an imaginary plane - of the notre dame cathedral with all its pinnacles, cantilevers, buttresses, monuments and so forth
Commas in a sentence corresponding to roman roads,:
This novel is a bottomless pit, wherever you touch it roads open up - no ends to reach